Fender American Deluxe Stratocaster
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Fender American Deluxe Telecaster
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Fender American Deluxe Stratocaster HSS
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Fender American Deluxe Stratocaster HSS LT
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Fender American Deluxe Stratocaster "V" Neck
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Fender American Deluxe Stratocaster FMT and QMT
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Fender American Deluxe Telecaster FMT and QMT
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Fender American Deluxe Ash Stratocaster
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Fender American Deluxe Ash Telecaster
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Fender American Deluxe Series
It's simple, they start with best guitars and then make them better, first, they add s-1 switching system, witch offers an endless array of pickup options, and then they mount revolutionary Samarium Cobalt Noiseless pickups, designed by legendary pickup designer, Bill Lawrence. What does this all mean? Better tone of course.
S-1 Switching System
This groundbreaking switching system allows players to switch pickups configurations in an instant. The switch is visually undetectable, but tonally it turns your instrument into the most versatile axe on the planet! Located in the crown of the master volume knob, one push of the switch will place your pickups in an assemblage of parallel, series and pickup-combining configurations. You can have the best of all worlds.
Samarium Cobalt Noiseless pickups
Designed by Bill Lawrence, in collaboration with the Fender R&D team, these ultra-sensitive and responsive pickups will "pick up" every nuance of your individual playing style, without the hum-providing a palette of pure Stratocaster guitar tones like you've never experienced before.
Take a look at American Deluxe Series guitars:
Fender Flat Head Series
The Fender Custom Shop has created the Flat Head Telecaster HH for all those Tele guitar fanatics out there looking for something "more". This no-nonsense, industrial-strength guitar features a flat-front alder body with a contoured back and neck heel, two EMG humbucking pickups (Bridge: EMG 81, neck:EMG 60), 22 jumbo frets, a 25 1/2" -scale maple neck with a 12" radius ebony round-lam fingerboard and a bone nut. Features custom nickel silver "crossed piston" inlay at the twelfth fret, flat black hardware and mother-of-pearl side dot markers. Available in Black (806), Light Gray (870) and Dark gray (874.)
Flathead Showmaster HH
This custom creation features a flat-front alder body with a contoured back and neck heel, two EMG humbucking pickups (Bridge: EMG 81, neck:EMG 60), 22 jumbo frets, a 25 1/2" -scale maple neck with a 12" radius ebony round-lam fingerboard and a bone nut. Adding to the beauty is a custom nickel silver "crossed piston" inlay at the 12th fret, flat black hardware and mother-of-pearl side dot markers. Available in Black (806), Light Gray (870) and Dark gray (874.)
Fender Showmaster Series
Showmaster Elite
The show-stopping Showmaster Elite features a mahagony neck with a Telecaster guitar headstock, custom tribal sun inlays, bone nut, and 12" radius ebony fingerboard with 22 jumbo frets. It also has two custom-designed Seymour Duncan humbucking pickups and your choice of milled steel tremolo and SLR roller nut or Tech-Tonic Bridge. Available with a choice of carved lace wood or flame, quilt or splat maple top - the Showmaster Elite is truly a Custom Shop masterpiece. Available in Amber (820), Cherry Sunburst (830) or Honey Burst (842).
Showmaster set neck FMT LT (HT)
Carved-figured maple top with hand scraped edges, set maple neck, rosewood fingerboard, and choice of Fender deluxe locking tremolo or Wilkinson stop tailpiece. Available in Aged Cherry Burst (831), Antique Burst (837), Teal Green Transparent (848), Bing Cherry Transparent (861) and Cobalt Blue Transparent (862).
Showmaster FMT
Carved-figured maple top with hand scraped edges, lightly figured maple neck, maple or rosewood fingerboard, and Deluxe two-point synchronized tremolo with pop-in arm. Available in Aged Cherry Burst (831), Antique Burst (837), Teal Green Transparent (848), Bing Cherry Transparent (861) and Cobalt Blue Transparent (862).
Showmaster Standard
Alder body with carved top, maple or rosewood fingerboard, deluxe two-point synchronized tremolo with pop-in arm. Loud, fast and ready to rock. Available in Black (806), Crimson Transparent (838), Frost Gold (879) and Bright Sapphire Metallic (886).
Fender Picks
Celluloid is the premier pick material. Celluloid picks offer traditional feel, a smooth striking surface, and a warm, round musical tone. Fender divide celluloid into two categories: Classic Celluloid and Premium Celluloid . Classical Celluloid models include the classic colors: white, confetti, black, and shell. Fender Premium Celluloid picks offer the same tone and feel, but in a host of beautiful unique colors.
Matte Finish Delrin. Created by DuPont, Delrin is strong, resilient and extremely durable. These picks are die cut and tumbled to provide a smooth, rounded edge resistant to chipping. The Matte finish improves grip even after hours of playing.
California Clears. Cool clear and colorful - California clears are available in six transparent vintage style colors.
How to pick the right pick for you...
Bigger picks, with their greater mass and larger playing surface, produce a bigger tone than smaller picks. Smaller picks, with their smaller playing surface make less contact with the string and allow for speedier playing.
Heavier pick gauges provide more mass and a stiffer attack than a lighter gauge pick of the same shape producing a noticeably bigger tone. Conversely, lighter gauge picks produce a brighter, thinner sound than a heavier gauge pick of the same shape.
351- is most popular pick shape. 351 picks are often called "the Fender pick", because of their long association with Fender. A wider body and rounded tip have made this pick a favorite with players across all styles of music.
346- are second best selling pick shape, 346 picks provide three playing surfaces instead of one, when one side wears down you can just switch sides. The bigger body yields a bigger, rounded, smooth tone.
347- are perfect for the player that likes 351, but prefers a slightly smaller pick.
354- or "big tear drops" are perfect for the player that likes a narrower pick. Great for smaller hands.
358- or "small tear drops" are often referred to as "mandolin picks". Their ultra-slim profile is perfect for nimble
355- are Fender's biggest pick. Their increased mass produces massive tone and an audible increase in volume. Great for maximum pick attack.
451- are mini 351. These little picks are great for fast runs, but retain much of the tone of their larger siblings.
551- are the same as 451, but with a sharper point. Their small size and sharper playing surface makes them perfect for high velocity lead playing. Satisfy your need for speed.
Fender Announces Limited Edition George Fullerton 50th Anniversary Stratocaster Guitar/Amp Set
The resulting Limited Edition George Fullerton 50th Anniversary Stratocaster is a beautifully Master Built instrument with a two-color sunburst lacquer finish on its three-piece blade-cut alder body. The one-piece '57-style soft V-shaped maple neck has a lacquer finish and 7.25"-radius maple fingerboard. The guitar include '50s-style pickups hand wound by world-renown expert Abigail Ybarra, who was hired to work for Fender by George Fullerton in 1956 and continues to work at the Fender Custom Shop today. The guitar also features a three-position pickup selector switch mounted on a single-ply white pickguard, plus vintage hardware, a commemorative neck plate and a certificate of authenticity signed by George Fullerton himself.
The guitar's partner is the Relic Tweed Pro Junior™ amp, which evokes the revered '50s era of small Fender tube amps such as the Champ®, Princeton® and Harvard. The 15-watt, single-channel Relic Tweed Pro Junior features a single 10" speaker, vintage pointer knobs and period-correct vintage-style tweed covering.
In 1948, George Fullerton went to work for his close friend, Clarence "Leo" Fender at the Fender Electric Instrument Co. in Fullerton, Calif. He became a key collaborator with Leo and played a pivotal role in the design and manufacture of the revolutionary instruments and amplifiers that later went on to change the world.
"Leo and I used to go out and sit in these nightclubs, beer joints and smoky rooms to talk to musicians, to listen to what they had to say," said Fullerton. "We were trying to learn what players really needed for their instruments. We listened to them rather than tell them what we were doing—we used a lot of what we learned in our designs for the market."
In 1954, Fender released what would become the most popular, recognizable and influential electric guitar of all time—the Stratocaster. Featuring a comfortable contoured body, three pickups—which allowed for a multitude of tones never heard before—and a tremolo system that allowed players to mimic popular lap- and pedal-steel tones, all while remaining in tune. After three years of production and design improvement, the 1957 Stratocaster was introduced and is still widely considered to have achieved design perfection.
"George Fullerton's contribution to Fender is immeasurable and to have him come home to be part of the Fender family again, is an incredible honor for every employee here at Fender Musical Instruments," said Mike Eldred, Fender Custom Shop marketing director. "For the Fender Custom Shop team to be able to sit down with him and work on these projects together has been like getting an incredible first-hand glimpse into history."
Retro-Styled Champion 600 Guitar Amp by Fender
The Champion 600 is the perfect low-output tube amp for practicing and recording, with a 6" speaker, simple controls, and that classic Fender "two-tone" look—brown and blonde vinyl covering, leather strap handle, and red jewel pilot light. Champion 600The low-gain circuit of the original was developed in conjunction with lap steels; the new Champion 600 has been updated to suit the needs of most guitarists with its 12AX7 and 6V6 tubes offering a bit more of that dynamic, natural overdrive when cranked.
"The Champion 600 is beautiful in its simplicity; a straightforward tribute to some very collectable little amps." observed Shane Nicholas, Fender's Marketing Manager of Amplifiers. "By keeping it simple, it's also very affordable—perfect for tube amp novices and collectors alike. And it's so cute, you can sit it on the kitchen counter next to the toaster!"
Champion 600 features include the aforementioned all-tube circuitry, a 6" Special Design speaker, high gain and low gain inputs, a single volume control, and an external speaker output. But this amp isn't about features; it's about that classic low-wattage tube amp sound.
Eric Clapton's, Blackie
Clapton played many guitars, such as Fender Telecaster, cherry-red Gibson ES-335, Gibson Les Paul Sunburst Standard, 1964 Gibson SG, Gibson Firebird, and many others. In 1969 he made the switch to the Fender Stratocaster. First was "Brownie" witch is now on display at the Experience Music Project, Eric played it during the recording of Layla and Other Assorted Love Songs, then in 1970, Eric bought 6 Fender Stratocasters from the Sho-bud a small guitar shop in Nashville, Tennessee, he payed $100 each. On his way back to England he gave one each to George Harrison, Steve Winwood and Pete Townshend, keeping the remaining three for himself. After playing each one, he decided to build one guitar out of the best parts of each Stratocaster, Blackie was created, and quickly become Clapton's favourite stage guitar until its retirement in 1985. Clapton introduced Blackie to the world in January 13, 1973 at the Rainbow Concert, then he returned to the studio with Blackie to record his second solo album, 461 Ocean Boulevard. From 1973 to 1985 he recorded 13 solo albums all with Blackie. Finally, after a tour concert in Hartford in 1985, Blackie was retired due to issues with the neck, last public appearance was during the 1991 Royal Albert Hall shows when it was brought out for one number.
In November 2006, Fender announced a limited run of 275 Blackie reissues (185 for Guitar Center, 90 for international markets) by the Fender Custom Shop. These are identical to the original and have a suggested retail price of $24,000 USD. They were sold out within hours.
Clapton's Blackie is no longer the world's expensivest guitar, in 2006, another Stratocaster, signed by a large group of celebrities, including Clapton, was auctioned to benefit the victims of the 2004 Asian Tsunami, it was sold for $2.6 million.
Jackson WR1 USA Warrior
A wickedly realistic hand-painted bolted-steel motif announces this one's for the shredder who lives and dies by metal. Other shivery details include a quartersawn maple thru-body neck with oiled finish and ebony fingerboard with sharkfin inlays. A Seymour Duncan Invader SH8 at the bridge with a Full Shred SH10 in the neck slot guarantees maximum destruction. Other appointments include 24 jumbo frets, die-cast tuners, master volume and tone controls, Floyd Rose Original double-locking tremolo, black chrome hardware, and bindings on the fingerboard and headstock. Includes deluxe molded case. Includes deluxe molded case.
Jackson WR1 USA Warrior Features:
- Hand-painted custom shop finish
- Quartersawn maple thru-body neck with oiled finish
- Ebony fingerboard with sharkfin inlays
- Seymour Duncan Invader SH8 at the bridge Seymour Duncan Full Shred SH10 at the neck
- 24 jumbo frets
- Die-cast tuners
- Master volume and tone controls
- Floyd Rose Original double-locking tremolo
- Black chrome hardware
- Bound fingerboard and headstock
Jackson Christian Olde Wolbers Signature Dinky
Jackson Christian Olde Wolbers Signature Dinky Features:
- Arched-top Dinky
- Mahogany body
- Bolt-on mahogany neck
- Reverse headstock
- Ebony fretboard w/no inlays
- String-thru body
- Black hardware
- Single EMG-81 pickup
Jackson KE3 Kelly Electric Guitar
Jackson KE3 Kelly Electric Guitar Features:
Jackson DK2L Dinky Left-Handed Electric Guitar
Jackson DK2L Dinky Left-Handed Electric Guitar Features:
- Body: alder with flame maple veneer
- Neck: bolt-on rock maple with scarf joint head stock
- Neck dimensions: 1st fret: .735", 12th fret: .810"
- Tuning machines: sealed die-cast tuners
- Fingerboard: compound radius (14" to 16") rosewood
- Frets: 24 jumbo frets
- Bridge pickup: Seymour Duncan JB TB4 humbucker
- Middle pickup: Seymour Duncan STK-1 single coil
- Neck pickup: Seymour Duncan STK-1 single coil
- Controls: master volume, master tone
- Bridge: Floyd Rose licensed Jackson low profile double locking tremolo
- 5-position blade pickups switching:
- Position 1. Bridge pickup
- Position 2. Bridge and middle pickups
- Position 3. Middle pickup
- Position 4. Middle and neck pickups
- Position 5. Neck pickup
- Hardware: black
- Scale length: 25.5"
- Width at nut: 1-11/16"
- MOTO shark fin position inlays
- Ivoroid binding on neck and headstock
Jackson KVX10 X King V Electric Guitar
Jackson KVX10 X King V Electric Guitar Features:
- Alder body
- Duncan Design humbuckers (HB1012 and HB103)
- Licensed Floyd Rose Low Profile tremolo
- 24 jumbo frets
- Bolt-on rock maple neck Rosewood 14" to 16" compound radius fingerboard
- Chrome hardware
- Master volume and tone
- 3-way pickup switch
- .775" nut width,
Jackson Kevin Bond Signature Rhoads
Jackson Kevin Bond Signature Rhoads Features:
- Mahogany body
- 3-piece mahogany neck-thru design
- Ebony fretboard
- Custom inlays
- Seymour Duncan Iommi twin hot-rail humbucker
- Black hardware
- Adjustable bridge
- Fine-tune tailpiece
Jackson KV2 King V USA Electric Guitar
Jackson KV2 King V USA Electric Guitar Features:
- Original Floyd Rose double-locking tremolo
- Alder body ( flamed maple top on transparent finishes)
- Quartersawn maple neck with thru-body design
- Compound-radius fingerboard
- Ebony fingerboard with real mother-of-pearl sharkfin inlays
- Seymour Duncan SH-4 neck pickup
- Seymour Duncan TB-4 bridge pickup
- Includes hardshell case.
The Most Expensive Guitar in the World
Signees of this expensive electric guitar included Mick Jagger, Keith Richards, Eric Clapton, Brian May, Jimmy Page, David Gilmour, Jeff Beck, Pete Townsend, Mark Knopfler, Ray Davis, Liam Gallagher, Ronnie Wood, Tony Iommi, Angus & Malcolm Young, Paul McCartney, Sting, Ritchie Blackmore, Def Leppard, and Bryan Adams, the coordinator of the project.
Jackson SL2 ML Spider & Brimstone Green WO 9158 Electric Guitar
Coming from Jackson, you know the WO 9158 guitar has more than good looks going for it. They've used the high quality woods, hardware, and construction you'd expect.
Finished off with sharkfin pearl inlays and black hardware. Includes a hardshell case.
- Body: Neck-thru, soloist, alder
- Neck: Quartersawn Maple
- Fingerboard: Ebony
- Nut: Bone, 1-11/16
- Scale: 25.50
- Inlay: Pearl sharkfin
- Frets: 24, jumbo wire
- Hardware: Black, Gotoh/Jackson tuners, non-locking
- Bridge: Floyd Rose 32mm
- Pickups - Bridge: SH-6B, Neck: SH-1N No Logo
- (painted pickups)
- Controls - 2 dome: 1 volume, 1 tone
- 3-way toggle: Bridge, Bridge/Neck, Neck
- Color: Mike Learn Spider and Brimstone Green graphic, neck paint black, head paint same as body, Jackson nineties logo
- Case: G&G Hardshell
Jackson RR5 Rhoads Pro Electric Guitar
Jackson RR5 Rhoads Pro Electric Guitar Features:
- Neck-thru construction
- 2 Seymour Duncan TB4 humbuckers
- Alder body
- Maple neck
- Rosewood compound-radius fretboard
- 22 jumbo frets
- Sharkfin inlays
- 1-11/16" nut width
- 25-1/2" scale
- Gold hardware
Jackson JS30 Electric Guitar
Jackson JS30 Electric Guitar Features:
- Dinky-style alder body
- Maple neck with reversed headstock
- Rosewood fretboard
- Jumbo frets
- JT500 double-locking tremolo
- 2 Jackson CVR pickups
- Chrome hardware
- Volume, tone, and a 3-way switch for simple sound management
- 22 jumbo frets
- 1-11/16" nut width
- 25-1/2" scale
- .775" x .910" neck dimensions
Jackson DKMGT Dinky Electric Guitar
Jackson DKMGT Dinky Electric Guitar Features:
- Carved alder body
- Flamed maple veneer
- Rock maple bolt-on neck
- Compound-radius, bound rosewood fretboard
- MOTO piranha fretboard inlays
- EMG 81 bridge humbucker
- EMG 85 neck humbucker
- 25-1/2" scale
- String-thru body bridge